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Tuesday Painting Workshops

Photo of artists and instructor Rachel Harbour

With Artist Rachel Harbour: 10:30 a.m. – 1:30 p.m.

Artist & Instructor Rachel Harbour introduces several different painting techniques in an in-class setting. Beginners welcome! Registration & payment required in advance.

Each 3-hour workshop, led by Rachel Harbour, includes all materials for only $40.00

Register at gallery@bellevillelibrary.ca  or call 613-968-6731 x2040

Register early as space is limited.

Image of a watercolour painting showing two puffins on a rocky cliff with a blue sea in the background.

January 20 – This class is FULL

Parrots of the Sea

watercolour on paper, 9 x 12 inches

We continue our welcome back month with more colour to chase away any January blahs. Puffins, known as ‘Parrots of the Sea’ due to their parrot-bright colourful beaks, are the sturdy seabirds of the East Coast.

Again, exploring how we use ‘value’ (lightness and darkness) in our paintings, we will employ changing the density of our watercolour paint to capture those bright beak colours contrasted against the pale, far away sea.

Image of an acrylic painting showing three white sheep in winter, in front of a light blue sky.

February 3

Winter Sheep

acrylic on canvas, 12 x 16 inches

It is February, so let’s have a laugh at winter with some fluffy sheep who are certainly ready for the cold. 

In this workshop we will use layers of under-painting, scumbling, and our trusty filbert brush to help us build the visual texture of those delightful, and warm, wooly coats.

Image of an abstract watercolour painting showing blocks of colour with abstract floral designs on top of the colour.

February 17

Colour Block Compositions

watercolour on paper, 6 x 4.5 inches

Inspired by the saturated colour block paintings of Henri Matisse, we will explore building colour harmony into stylized watercolour compositions. 

Rather than cutting out shapes as Matisse did, we will paint simple shapes, allowing us to focus on the creation of the colours. 

Additional details to round out our compositions will be made in ink, or perhaps we will “paint with scissors” ourselves, just like Matisse.